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The film did poorly at the box office, receiving mostly negative reviews, although Dunaway was praised, with Roger Ebert writing that her acting "is not only the equal of in Bonnie and Clyde , but is, indeed, the only good acting she has done since".
Despite protests from her agent, Dunaway turned down a lot of high-profile projects in order to spend time with Mastroianni. The film was widely praised by critics and was one of Dunaway's few commercial successes at this point.
That same year, she appeared in the lead role in Puzzle of a Downfall Child , an experimental drama directed by Jerry Schatzberg and inspired by the life of model Anne St.
The film failed to generate commercial interest, though it earned for Dunaway a second Golden Globe nomination, for Best Actress — Motion Picture Drama.
The film remained in obscurity over 40 years, until it was revived at the Cannes Film Festival in honor of Dunaway. Corral and of one of its protagonists, Doc Holliday.
During the filming, Dunaway realized how much she missed working. Neither Doc nor The Deadly Trap had generated much attention, either critically or financially, so Dunaway accepted an offer to star in a movie for television, The Woman I Love , in which she portrayed Wallis Simpson.
It was an ambitious project in which Dunaway had to play another complex character, "a woman who is caught between her ambition and her feminity. When the film opens, she is as tough as nails, a shoot-first-and-ask-questions-later woman.
Along the way, she slowly opens herself up to her estranged father and a lover. I understood that dilemma well, the conflict between ambition and love, the fear of trusting someone else with your love.
In his review of the film, Roger Ebert noted how she had never topped the work she did in Bonnie and Clyde , and said that her career had been "rather absentminded" ever since.
He praised her performance in Oklahoma Crude , saying that she played the role with "a great deal of style", while adding, "Perhaps she has decided to get back to acting".
She found the stage more challenging than film. The play itself reminded me during a difficult point in my life that there are a million facets to life.
There is never just one answer. Professionally, if I hadn't taken that step to go back to the stage, in a serious way, I think I would have suffered for it.
At the height of the madness each night, I would go from standing straight up to falling to my knees, in one swift move. It was high praise indeed coming from him.
Eventually, producers decided to split the film into two parts: Critics and audiences alike praised the film for its action and its comic tone, and it was the first in a line of successful projects for Dunaway.
Although its producer, Robert Evans , wanted Polanski to consider Jane Fonda for the role, arguing that Dunaway had a reputation for temperament, Polanski insisted on using Dunaway.
Gittes played by Jack Nicholson know. Dunaway got along well with Nicholson, describing him later as a "soul mate", but she clashed with Polanski, who had a reputation for being dictatorial and controlling on a set.
It ranged from the physical to the mental. He was very domineering and abrasive and made it clear he wanted to manipulate the performance. That approach has never worked with me.
Two weeks after the filming started, the two had a confrontation that became notorious. Polanski pulled one of Dunaway's hairs out of her head, without telling her, because it was catching the light.
And she was formidable", while Dunaway admitted that "it was way too much made out of it", added that she enjoyed working with Polanski, calling him "a great director",  and stated that Chinatown was "possibly the best film I ever made".
Despite the complications on the set, the film was finished, released to glowing reviews and ultimately became a classic. It made back its budget almost five times, and received 11 Academy Award nominations.
Upon the release of the film, producer Robert Evans was full of praise for Dunaway. She's one of the great strange ones.
When the lights go out and that face comes out of the dark and she looks at you with those big mysterious eyes, I tell you, it's a very compelling thing.
She has something we haven't seen on the screen for a long time. She's a femme fatale. That same year, Dunaway appeared in a television adaptation of After the Fall with Christopher Plummer.
She played the lead role, which was for her "like a dream come true. As with Bonnie, I knew the territory well.
Maggie her character was a completely wounded soul, a girl who had grown up on the wrong side of the tracks. The film became the highest-grossing film of the year, further cementing Dunaway as a top actress in Hollywood.
At this time, she felt "exhausted from the constant and intense pressures of the work", and decided to pull out of The Wind and the Lion , in which she was to costar with Sean Connery , at the last moment to concentrate on her married life.
Her character was to be held hostage by a CIA analyst, played by Robert Redford , and Dunaway was required to display fear that she might be raped.
However, she had difficulty not breaking into laughter during the shoot, as "the idea of being kidnapped and ravaged by Robert Redford was anything but frightening".
In his review of the film, Roger Ebert called her character "the very embodiment of pluck", and said that, "She has three lines of dialogue that brings the house down.
They're obscene and funny and poignant all at once, and Dunaway delivers them just marvelously. She returned to the screen in with the Holocaust drama Voyage of the Damned.
Louis ocean liner carrying Jewish refugees from Germany to Cuba in That same year, Dunaway appeared in the Paddy Chayefsky -scripted satire Network as the scheming TV executive Diana Christensen, a ruthless woman who will do anything for higher ratings.
She loved the script and later said this was "the only film I ever did that you didn't touch the script because it was almost as if it were written in verse".
She pursued the role over the objections of her husband, Peter Wolf, and her confidant, William Alfred, who regarded Christensen as too heartless and were concerned that people would confuse her with the character.
The film, a success in its own day, is frequently discussed today due to its almost prophetic take on the television industry. Dunaway's performance was lauded, with Vincent Canby of The New York Times saying that she "in particular, is successful in making touching and funny a woman of psychopathic ambition and lack of feeling".
In early , the Academy Awards nominated Network for ten awards, with Dunaway winning in her third Best Actress nomination. I will never forget the moment, and the feeling, when I heard my name.
It was, without question, one of the most wonderful nights of my life. The Oscar represented the epitome of what I had struggled for and dreamt about since I was a child.
The emotional rush of getting this accolade, the highest one this industry can award you, just hit me like a bomb.
It was the symbol of everything I ever thought I wanted as an actress. Also in , Dunaway appeared as the lead in the made-for-television movie, The Disappearance of Aimee , in which she co-starred with Bette Davis.
Following her Oscar win, Dunaway took another break from acting to figure out her personal life. The film was a success at the box office and Dunaway received positive reviews for her performance, with Janet Maslin writing for The New York Times that she was "perfect for her role".
That same year, Dunaway portrayed actress Joan Crawford in the adaptation of her daughter Christina 's controversial memoirs, Mommie Dearest , in which she had depicted her adopted mother as an abusive tyrant, who only adopted her four children to promote her acting career, making quite a stir as the first celebrity tell-all book.
Dunaway accepted the role after meeting producer Frank Yablans and director Frank Perry , who both assured her that they wanted to tell the real story of Joan Crawford and not just a tabloid version of her life.
I tried to illuminate who this woman was. But it was more than just about being angry, it was about trying to examine and explore the forces that undermined her.
Filming proved difficult for her as she was almost never out of character. I felt it at home at night sometimes. I felt Joan was not at rest.
Frank Sinatra drove her to see a throat specialist and shared his own tips on how to preserve her voice. The film opened in and was a commercial success despite negative reviews.
Janet Maslin , while dismissing the film as incoherent, wrote that Dunaway's performance was "a small miracle" and praised her energy and commitment to the role.
Vincent Canby also praised Dunaway, writing that " Mommie Dearest doesn't work very well, but the ferocious intensity of Faye Dunaway's impersonation does, as does the film's point of view, which succeeds in making Joan Crawford into a woman far more complicated, more self-aware and more profoundly disturbed than the mother remembered in Christina Crawford's book.
But it was made into camp. I know you have a life, and you act many roles. But after Mommie Dearest , my own personality and the memory of all my other roles got lost along the way in the mind of the public and in the mind of many in Hollywood.
It was a performance. That's all that it was. For better or worse, the roles we play become a part of our persona, and the actress and the woman are identified with that persona.
People thought of me as being like her. And that was the unfortunate reality for me about this project. In , Dunaway appeared in a television adaptation of Clifford Odets 's dramatic play The Country Girl as the wife of a washed-up alcoholic singer played by Dick Van Dyke , whom she later described as "one of the sweetest and funniest men in the world", but admitted "Though it was a valiant effort on all our parts, and there were moments I thought were good and true, the remake fell short of our hopes and certainly of the original.
But doing it helped remind of that I do love this business of acting, something the Crawford movie had come close to making me forget.
The play would have been better with just the simplest of women. She's usually in command. During this time, Dunaway moved to England with her partner Terry O'Neill, whom she married in , and, being more interested in her married life, only took on work that was convenient for her.
That same year, she returned to the screen in Michael Winner 's period melodrama The Wicked Lady , in which she played an 18th-century highway robber.
The film proved to be a critical and commercial failure. It seemed to never quite decide whether to be a farce or a drama, and so it failed by being neither.
In , Dunaway played the lead villain in the superhero movie Supergirl. She felt that "the film was really just a send-up, a spoof, and I had a lot of fun with Selena her character "  but later admitted she was furious with the director Jeannot Szwarc , "Every time I tried to do something funny, he wouldn't let me.
He said, "you have to be the straight person". I always wanted to do comedy, but it's daunting when you've not done it before. The following year, she starred in the miniseries, Christopher Columbus.
She also appeared in two Agatha Christie adaptations, Ordeal by Innocence and Thirteen at Dinner which was made for television.
Though the work was involving, Dunaway struggled to find artistically fulfilling roles during this period in England.
Liam Dunaway O'Neill , her son by second husband Terry, followed in her footsteps with minor acting roles beginning in His father later dropped a bombshell in by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the Academy Awards.
Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night.
Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land.
During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s.
Over the past year, she has appeared in three films, starring in The Bye Bye Man , The Case for Christ and Inconceivable , with more projects expected to be on the way.
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Her autobiography was titled "Looking for Gatsby: She got her first starring role in "A Man for All Seasons" just days after graduating from college.
She was the daughter of a career army man which resulted in her traveling constantly in her early life. Her first husband, Peter Wolf , was the lead singer of the rock band J.
Converted to Roman Catholicism while in Boston, Massachusetts. Has a connection with the James Bond - franchise: Competing for beauty titles was considered de rigueur for Southern girls in the s, and Dunaway remembers in her autobiography that she was somehow convinced that she could NOT leave Florida until she won one.
She missed being crowned May Queen at Leon High School in Tallahassee by a mere six votes, and had another near-miss at a title when she was voted runner up for Miss University of Florida in Dunaway finally scored her beauty crown when she was named Sweetheart of Sigma Chi, and promptly transferred to Boston University.
By the time production started, MacGraw had left Evans for actor Steve McQueen and other actresses were considered for the part.
Dunaway's main competition for the role was Jane Fonda. By her own admission in a New York Times interview many years back, she and late comedian Lenny Bruce were briefly lovers and lived together for a week, circa She was also engaged to director Jerry Schatzberg in the mids.
In order to be taken seriously as an actress, she turned down a regular role on Guiding Light in Her portrayal of actress Joan Crawford in the critically panned film Mommie Dearest was ranked 41 on the villains list of the years of "The Greatest Screen Heroes and Legends", while her portrayal of Bonnie Parker in Bonnie and Clyde - which she shared with Warren Beatty was ranked She is one of only two actresses - the other being Bette Davis - to have two villainous roles in the list.
Is only 14 years older than Diana Scarwid , who played her daughter in Mommie Dearest According to the DVD commentary by John Waters on Mommie Dearest , Dunaway feels the film's reception ruined her career, to an extent, and she refuses to discuss the film hence her lack of participation in its release.
Turned down Paint Your Wagon citing scheduling conflicts, Fun with Dick and Jane "without regret" , and Norma Rae -- which earned a Best Actress Oscar for Sally Field -- because she was in the process of moving overseas.
Was offered the title role in Julia which she turned down. Vanessa Redgrave , who went on to win a Best Supporting Actress Oscar for her performance, was cast instead.
However, she was dismissed as Andrew Lloyd Webber felt her voice was not up to the role. In August , her New York City landlord was seeking to evict Dunaway from a rent-stabilized one-bedroom apartment, alleging she was not entitled to it since her primary residence is a house in West Hollywood.
Her small production company, Port Bascom, is named for her hometown. Cohabited with Marcello Mastroianni from When after two years together Marcello still refused to divorce his estranged wife and marry Faye, she broke up with him.
Release of her autobiography, "Looking for Gatsby: My Life" by Faye with Betsy Sharkey. Turned down the Cybill Shepherd role in Taxi Driver Turned down Karen Black 's role in Family Plot They had previously co-starred together in the mystery film Chinatown Has appeared with Richard Chamberlain in five films: John MacDowell Dunaway, Jr.
They divorced in Originally cast in Macadam Stories as Jeanne Meyer but had to pull out due to health issues and was replaced by Isabelle Huppert.
Turned down Requiem for a Dream After playing famed opera singer Maria Callas in a touring stage production of "Master Class" in , Dunaway bought the rights to the play and announced her intention of writing, directing and starring in a film version.
For nearly two decades it has been in development limbo. Faye and Terry O'Neill didn't issue a press release when they got married. In July the couple confirmed they had secretly wed the previous year.
In an unprecedented envelope mix-up, she announced La La Land as the Best Picture winner at The Oscars instead of the actual winner, Moonlight Good friends with actress Sharon Stone.
As of , has starred in four Oscar Best Picture nominees: Considers Puzzle of a Downfall Child to be her most underrated movie.
No longer smokes cigarettes quit around or drinks alcohol and has cut sugar, salt and most grains from her diet.
Broke her leg a few days before filming Inconceivable but director Jonathan Baker refused to recast the role, as it had been written specifically for her, and rewrote her part so that she would be able to perform sitting down.
At 5'7", Dunaway was taller than the non-fictional characters she portrayed on film, bank robber Bonnie Parker and movie star Joan Crawford.
The former was only 4'11" and the latter was 5'3". Moved to Dugway Proving Grounds, Utah in She was 13 at the time in eighth grade.
She stayed in Utah until her sophomore year in high school at Dugway. Love life has gone largely undocumented since divorce from O'Neill.
In she told the New York Times she hadn't been in a relationship in 3 years, declining to name her last boyfriend rumored to have been a San Francisco-based musician.
She is only 11 years younger than Gene Hackman , who played her father in The Chamber I really hate talking about Mommie Dearest !
It is like an obsession with people! Why do people need to focus so much on one film I made over 20 years ago? It was not a great time in my life and the film was not an experience I want to think about.
The rhythms of being an actress are by definition intensity and then letting out. It's like a heartbeat. Beyond the movies I might have missed, it would have been a kind of Chinese water torture to have been stuck in five more terrible movies.
It's impossible to assess the damage that might have done to me that early on in my career. This is a role that I care deeply about.
I haven't felt this passion for a character since Network I saw the promise of a comeback for me in the deglamorized face of Wanda, a woman of sweet vulnerability.
But every time I tried to do something funny, [director Jeannot Szwarc ] wouldn't let me. He said, "you have to be the straight person".
I always wanted to do comedy but it's daunting when you've not done it before. British Board of Film Classification.
The Story of Joan of Arc". Directing a film on Maria Callas". New York Daily News. Retrieved January 16, Dunaway Stars in 'A Family Divided ' ".
The People Next Door". Rebecca and 'Rebecca ' ". Faye Dunaway scrubbing in". Retrieved April 3, Retrieved from " https: